The great reward of a career in university teaching
(Lord knows, it isn’t the pension) is getting a hint, now and then, that in
ways large and small one has had some influence on some students. That
occurred to me recently in exchanges with two former students whom I taught on
two campuses and nearly four decades apart.
One came from a fellow who, as a sophomore at
Marquette some 40 years ago, had taken my beginning newswriting class. Kevin
was given one of the university’s major alumni awards this spring for his
superb work as a p.r. man over his career for Marquette and for two NFL teams,
and I wrote to congratulate him. In his reply, he reminded me of an episode at
the beginning of the course. I had given the students their first in-class
writing assignment, a story based on notes I handed out. My purpose was to get
an idea of the level of writing skill each student was bringing to the class.
“I began writing my story with a pen,” he wrote,
“until you stepped up to me and asked: ‘What are you doing?’ When I explained
that I couldn’t type, you replied, ‘You’re going to have to start learning right
now.’” He added, “Lesson started and learned.” And he said he had often told
that story over the years.
I had not remembered that, and what I thought he
might have recalled was my reaction to an assignment later in the semester.. After I had gone over in class the elements and
structure of the speech story, I gave the students a copy of a speech and told
them to write a story about it as homework.
At the beginning of the next class, as I picked up
the stories, his caught my eye. He had handed me simply a copy of the
speech--neatly typed and letter perfect, by the way.
Why had he turned in a copy of the copy I had given
him, I asked. Kevin said that he thought that was the best way to faithfully
convey what the speaker had said. That was hard to argue with, but I managed to
convince him that a well-written story could get a speaker’s major points and
the flavor of the speech across to readers and in an economical way that was
best-suited to the limited space of a newspaper. He learned that lesson, too,
and he turned out to be an excellent writer.
Within a week or so came an email from another
Kevin, a Loyola graduate of more recent years who, as a freshman, had been a
student in my introductory writing course. I always thumped Will Strunk and
E.B. White’s slim The Elements of Style like a preacher at a revival in
that course and used some of White’s essays as examples of excellent
writing—among them, the poignant “Once More to the Lake,” which I could never
discuss with a class lest they see their professor in tears.
Kevin told me that he had moved to New York
City earlier in the year and one of the first things he had done was to buy a
copy of White's "Here Is New York.” He said he wanted to tell
me that and to say that he “found it very instructive and surprisingly accurate
even 60 years after it was written.” I was delighted to hear from him and
to know that a bit of my adulation of White as a writer had rubbed off on him.
I have to confess, though, that that wasn’t all he
remembered of me. Kevin had been in the class in the spring of 2005, and in the
fall, during our “Katrina semester,” studied at Loyola University of
Chicago.* My family and I had taken refuge from the storm and its
aftermath in Chicago, too, and I had made use of the free semester to do
research at the Newberry Library. Kevin and I met near there late
one gorgeous autumn morning for a long, chatty lunch. Afterwards, he reminded
me in his note, “We were walking back towards the L station when I heard the
train go by beneath our feet. I said to you, ‘I think I just missed my train,’
to which you responded, ‘Don't worry, Kevin. Trains are like women. You wait 15
minutes and there's another one.’”
“I wanted to let you know I think of this advice often,” he wrote, “and it has brought me great comfort over the years.”
“I wanted to let you know I think of this advice often,” he wrote, “and it has brought me great comfort over the years.”
My “advice” of course was a twist of the old gag
line, “women are like trains,…” but I did not mention that.
------------------------------
*Kevin’s
story of his arrival in New Orleans the weekend before Katrina and his almost
immediate departure for what he and the rest of us at the university thought
would be “a brief holiday” was the lead of an article I wrote that fall for the
magazine Conversations
on Jesuit Higher Education on the effects of Katrina on Loyola and
Spring Hill College in Mobile and the response of the country’s other Jesuit
institutions.
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